Hit Man Dreams by the underappreciated San Diego band No Knife showcases the band's unique blend of post-hardcore, indie rock, and emo

Following the tragedy that struck For Squirrels, the remaining members regrouped as Subrosa with 1997's Never Bet The Devil Your Head

Monique Powell of Save Ferris discusses the highs and lows of being on a major label, the joys of touring, and much more

We revisit the late 90s Garage Rock Revival by bands like The White Stripes and trace the lineage back to the 60s until the 2000s

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1992

Drive Like Jehu combined shifting time signatures, manic energy, and an ear-splitting attack on their 1995 swan song Yank Crime

Pollyanna hit it big in Australia with their debut, but their sophomore album Hello Halo makes the case for the deep cuts and left turns

We take a trip to San Diego in the 90s with members of No Knife, Jejune and aMiniature to talk bands, venues, record stores, labels and more

To kick-off our new roundtable series on the touring festivals of the 90s, we're going back to 1995 to revisit the start of the Warped Tour

Turbonegro were at the forefront of the late 90s Scandanvian underground rock movement, we check out their 1998 album Apocalypse Dudes

Save Ferris don’t break the mold, but they do add a few extra layers.

Dandelion scored a minor hit in 1995 with Weird-Out off their album Dyslexicon, we finally get around to checking out the rest of the album

Who's punk, what's the score? That's what we try to figure out on our roundtable talking punk rock in the 1990s

While Green Day, The Offspring and Rancid took punk to the mainstream in the 90s, the New Bomb Turks forged a louder, more aggressive path

In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Bricks and Blackouts by Gaunt.