Hit Man Dreams by the underappreciated San Diego band No Knife showcases the band's unique blend of post-hardcore, indie rock, and emo

Another year and more new music to celebrate as 2024 as we host our fifth annual Music We're Thankful For roundtable with our patrons

Angular, dissonant guitars dominate Flu Thirteen's 1998 sophomore album in the post-hardcore territory of At The Drive-in, Cursive, and more

On their lone self-titled album from 1995, Spot injects their brand of mid-90s alternative rock with metal riffage and Faith No More vibes

Is there such a thing as progressive post-hardcore? If not, Into Another might have invented it on their ambitious 1994 album Ignaurus.

Skeleton Key combined East Coast punk and indie rock with an unconventional rhythm section to give their 1997 debut a unique twist

On their fifth album and major-label debut Eyewitness, Shades Apart refined their sharp punk edges for radio-friendly power-pop-punk

Our patrons join us to discuss their favorite record labels of the 1990s, including Touch and Go, Estrus, Revelation, Lookout, and many more

On their 1994 release In A Perfect World, Season To Risk took their major label money and made a decidedly unmajor label post-hardcore album

We check out the 1995 debut album Red And Clear by Giants Chair and unexpectedly undercover a 90s Kansas City post-punk math rock scene

Who are producers and what do they do? We discuss their impact on albums, varying styles, and more of 1990s music producers

We revisit the albums of '99, discuss hidden gems, forgotten flops, and long lasting favorites from the last year of the 20th century

On their third and final record Wrecreation, Stanford Prison Experiment bring the post-punk riffs, but is it an album of album tracks?

On their third album In On The Kill Taker, Fugazi expanded and redefined not only their own sound but the post hardcore they helped create

Who are our favorite drummers of the 1990s? Who has been underappreciated or overshadowed? What fills and beats keep us air drumming?

J Robbins of Government Issue, Jawbox, Burning Airlines, and many other bands talks about his career as a musician, producer, and much more

A unique story and influential band on emo and post-hardcore bands.

Hidden inside these dissonant and jagged tunes are melodic hooks that would make Matthew Sweet swoon.

Gimmick by Barkmarket - It's noisy, loud, abrasive, aggressive, unrelenting and pretty damn good.

In seventh episode of the Dig Me Out Podcast, Tim and Jason review Smile's 1995 debut album Maquee.

For our very first episode, we're checking out the 1994 album Box Set by Wool.