On their 1997 sophomore album In It for the Money, Supergrass arguably made the most interestingly consistent album of the Britpop era

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1994

The Verve tightened the songwriting on their 1995 sophomore album A Northern Soul while perfecting their brand of psychedelic Britpop

We revisit Elastica's self-titled 1995 debut with help from music journalist Rob Harvilla, host of 60 Songs That Explain the '90s podcast

After helping define the Britpop sound, Blur turned to American indie rock to find inspiration for their challenging 1997 self-titled album

For episode 666 we gather around the table and discuss controversial albums, videos, artwork, live performances, and more of the 1990s

The well-crafted 1997 debut album Your Body Above Me by Black Lab is a post-grunge album that warrants and rewards repeated listens

On their lone obscure release, Lowcraft dial up the 70s glam vibe with 90s production on 1999's Manticore

In the 1990s B-sides were much more than just one song - we revisit the various compilations, maxi-singles, covers, remixes and more

What happens when bands reverse the dreaded sophomore slump? We discuss our favorite sophomore albums of the 90s.

Spacehog scored a massive hit single off their debut, but their follow-up failed to chart, is it a sophomore slump worth revisiting?

On their fifth album This Is My Truth Tell Me Yours, the Manic Street Preachers process death and depression with radio friendly sheen

Combine T. Rex grooves with analog synths, topped with radio friendly hooks and you get Imperial Drag.

We're joined by a variety of guests to review new releases by Nada Surf, The Cult, Weezer, Bob Mould, Radiohead, Face to Face and more

Sing to God, the 1996 double album by Cardiacs, wants to defy classification, but we're crazy enough to tackle it and try

Mansun's 1997 debut Attack of the Grey Lantern crosses Britpop influences with older American influences in a wildly interesting combination

What was and is Britpop? We're not sure, so we're hosting a roundtable to try figure out the sounds, bands, legacy and more

For better or worse, the uneven 1996 debut The Sun Is Often Out by the Longpigs lands smack dab in the middle of Britpop hysteria

Dabbling equally in Britpop and American alternative, Nu-Clear Sounds bounces from delicate ballads to fuzzed-out rave-ups in an instant

Travis combine the brit-pop guitar bombast with the melodies and hooks of the Kinks, topped off with stellar Steve Lillywhite production