We revisit the late 90s Garage Rock Revival by bands like The White Stripes and trace the lineage back to the 60s until the 2000s

G. Love joins us to reminisce about the hectic ‘90s and the situation that led to him performing at Woodstock ‘99

The 1999 self-titled debut by The White Stripes ended the 90s with a minimalist blues recording that would reorient rock music for a decade

Tom Waits' Grammy Winning eleventh album Bone Machine from 1992 is a wild ride of strange characters and stripped-down production

On Cats and Dogs, Royal Trux synthesized 70s blues and psychedelic rock through a 90s lo-fi lens to create a unique if frustrating listen

Combining old school rockabilly and country on 1995's Dirt Track Date, Southern Culture on the Skids filter it through 1980s college rock

Morphine's unique instrumentation and influences are the true alternative to 90s guitar rock, as evidenced by their 1993 album Cure For Pain

On his 1999 album Choochtown, Hamell On Trial invokes punk rock swagger and 1970s NYC sleaze with little more than an acoustic guitar

We revisit Beck's major label debut Mellow Gold, was it a warm-up for the multi-platinum Odelay, or is Loser the only worthwhile nugget?

How do you get gear to gigs with no band van? Get your band noticed in a sea of competition? Avoid getting randomly attacked on the street?

Eli Janney of Girls Against Boys and the 8G Band on Late Night with Seth Meyers stops by to talk DC punk, 90s NYC

Underground legends cut down in their prime, we explore the final Brainiac album from 1996.

Zen Guerrilla have plent of energy and volume on 1999's Trance States in Tongues, but does it come at a cost to the songwriting?

Kim Salmon is a legend in Australia that we're just now getting around to by checking out his 1995 album with The Surrealists