Canadian alternative rockers Limblifter craft energetic guitar rock on their 1996 self-titled debut but are missing a few killer hooks

The sophomore album Scenery and Fish by I Mother Earth combines progressive rock, funk, and alternative rock with superior craftsmanship

On the third and final album Make A Pest A Pet by The Age of Electric, the band backs smart songwriting with hooky melodies and guitar riffs

Is the Gin Blossoms' 1996 sophomore album Congratulations, I'm Sorry a worthy follow-up or an actual miserable experience?

In the 90s, the Power Pop resurgence etched some mainstream success while firmly holding onto its underdog origins

Though only a three-piece, The Tea Party pile on a wide range of non-traditional instrumentation to create a unique, swirling sound

Positioned between successfully selling albums, The Tragically Hip's moody and sparse 1996 release deserves a deeper listen.

John Davis of Superdrag and Epic Ditch joins us to go track-by-track through the sophomore The Lees of Memory album Unnecessary Evil

Neil Finn may be known for his two hit singles with Crowded House in the 1980s, but Together Alone may be his best overall album

John Davis of Superdrag and The Lees of Memory joins us to discuss his bands, his songwriting, recording and a whole lot more

We dive into the four-singer/songwriter band Sloan to figure out if this is the best Canadian album of all time or even the best by the band

I Mother Earth hits the sweet spots on Dig with big guitar and drums, crisp production, and slightly progressive elements

Travis combine the brit-pop guitar bombast with the melodies and hooks of the Kinks, topped off with stellar Steve Lillywhite production

On the surface, the five-piece Moist is a slightly alternative and mainstream radio-friendly band - but dig deeper and darker sound emerges

Following this record, Our Lady Peace found greater success with the second release Clumsy, but is Naveed actually the better album?