On their second and final record, Love Nut filter 70s glam power pop sounds through 90s alternative on the crunchy and hooky ¡Baltimucho!

Canadian alternative rockers Limblifter craft energetic guitar rock on their 1996 self-titled debut but are missing a few killer hooks

The self-titled debut by Deathray is a tightly constructed power-pop record full of studio gadgetry and sugary melodies missing some grit

On the third and final album Make A Pest A Pet by The Age of Electric, the band backs smart songwriting with hooky melodies and guitar riffs

Jellyfish followed up their instant classic jangle and power-pop debut Bellybutton with the ambitious final curtain of 1993's Spilt Milk

A little punk, a little power pop, lots of energy, full of melody and hooks galore - we revisit the '94 album Low-Fi At Society by The Figgs

In the 90s, the Power Pop resurgence etched some mainstream success while firmly holding onto its underdog origins

Jody started out with The Belltower, a dreamy/shoegaze band, but later joined Fountains of Wayne after their debut was recorded.

Cheap Trick has two self-titled albums. Colin Gawel of Watershed helps us dissect and provide context for the 1997 album.

The self-titled debut by Fountains of Wayne hints at what was to come while still struggling to sound original and find their voice.

Morgan Taylor of Mink shares stories of the '80 and 90s Datyon, Ohio music scene up to creating children's character Gustafer Yellowgold

Neil Finn may be known for his two hit singles with Crowded House in the 1980s, but Together Alone may be his best overall album

We dive into the four-singer/songwriter band Sloan to figure out if this is the best Canadian album of all time or even the best by the band

You are about to learn everything you ever wanted to know about the most under-appreciated band of the 90s.

An album Tim and J both discovered back in 2000, but are happy to revisit and spread the word about Mink.