Psychedelic and dreamy, the 1991 debut Gish by The Smashing Pumpkins give hints of hits to come while still indebted to their influences

With a deluxe 2LP set of Majesty Crush music hitting shelves, bassist Hobey Echlin joins us to discuss the early ‘90s Detroit shoegaze scene

The Kochanowicz brothers discuss the formation of Riverside, their major label deal, and the Kickstarter campaign to reissue their album One

On their third and final album, Pale Saints changed their lead singer and found a balance between expansive shoegaze and tight rock songs

Layers of guitars make Swervedriver's 1991 debut Raise a shoegaze must listen with a more aggressive sound than most of their contemporaries

Evolving out of their teenage hardcore roots, Dinosaur Jr. forged a noisy path that reinvigorated guitar leads with indie-rock flair

On their 1990 debut Nowhere, Ride owes as much to the 1960s jangle and dream pop of The Who and The Byrds as 1980s noise and indie rock

We revisit the early formative years of Muse, a band that would go on to become a global powerhouse of touring, album sales and singles

On their album Split, Lush created a pop-friendly mix of shoegaze and dream pop, but are the layers of reverb and delay dated or timeless?

On their 1992 debut album Doppelgänger, Curve manage to sound simultaneously ahead of their time and firmly planted in the 1990s

On the Jesus And Mary Chain's 1998 album Munki, is there a great album buried in an overlong and inconsistent seventy minutes of music?

The third album from Spiritualized is a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next

Bush brought Steve Albini on board to produce their sophomore album Razorblade Suitcase, a slump or worth redeeming?

We explore shoegaze - the bands, sounds, albums, guitar pedals and much more that made up this loosely defined sound and group of artists

Tanya Donelly and Kristin Hersh wield a twin-guitar attack on Throwing Muses 1991 album The Real Ramon that we wanted to like more

Medicine has been called the American My Bloody Valentine, we revisit their 1992 debut album Shot Forth Self Living

Chrome hinted at a heavier sound from the band though their earlier shoegaze influences were still evident - not so on Happy Days

J. Mascis once described the album as his favorite of the major label years.

Revisit Bob Mould's short-lived run with with this post-Husker Du power trio.

In the seventeenth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Mezcal Head by Swervedriver