On the 1993 sophomore album Chrome, Catherine Wheel cut back the shoegaze elements for a bolder, more dramatic sound
Catherine Wheel's 1992 debut Ferment is a bonafide shoegaze classic, full of swirling guitars and ethereal vocals. For their 1993 follow-up Chrome, the band brought in Gil Norton, who had a resume boasting bands like the Pixies, Throwing Muses, Pale Saints, Echo & the Bunnymen, and more. With Norton on board, the band dialed down the waves of distortion and used it more sparingly, and a more crafted sound emerged. Harder guitar riffs, paired with Rob Dickinson's chameleon-like voice that could deliver throaty shouts and crooning coos, edged the band towards a more refined sound without leaving their shoegaze roots completely behind. The end result is a exceptional transitional album before the band would fully embrace a harder edge on their third album Happy Days.
We haven't reviewed this record yet. However, you can compell us to grab our shovels and dig it out. Request a review and we'll devote a full episode to discussing this album. Heck we might even invite you on as a guest. Support the show and help rock fans discover a lost album of the 90's.
Patreon: $2.50 a month
Support us for the year (12 consecutive months), and you’ll be rewarded with an album review for 2017 that you can join us to talk about.
Visit PatreonPayPal Donation: $30.00
This is the fastest option to get your recommendation on the show. Make a donation and put the artist and album title in the payment comments. We’ll follow up with any questions and let you know the episode release date.
Donate