Industrial supergroup C-Tec filled their debut album Darker with a variety of textures and sounds that criss cross the industrial genre

Fusing metal, pop, progressive rock, and new wave, Faith No More forged their own freakish alternative path on 1992's compelling Angel Dust

The 1998 debut by Boards of Canada put a chill spin on the 90s trip-hop sound with an analog old school approach that hits the mark

On 1991‘s Ebbhead, Nitzer Ebb incorporated pop elements and traditional song structures that drove a wedge in their EBM fanbase

With their final album Formula, James Plotkin and Alan Dubin as O.L.D. create a genre-hopping electronic dreamscape with few nightmares

The self-titled 1995 album by Prick manages to capture the urgency of industrial at its harshest without abandoning melody and song craft

On their eighth album The Process, Skinny Puppy imploded personally and expanded sonically, splitting fans and critics

With Mr. Bungle, Mike Patton takes the eclectic hard rock/metal of Faith No More and complete explodes the sound into uncharted territory.

Sing to God, the 1996 double album by Cardiacs, wants to defy classification, but we're crazy enough to tackle it and try

Absolute Zero by Null was released in 1994 with a comic book, a one-off rarity we decided was worth a track-by-track review

Two-basses, drums, minimalist guitar, vocals and occasional piano, horns and harmonica - it's the unique sound of Cop Shoot Cop

Simple is an understatement, as Bowery Electric takes minimalism to near Brian Eno levels.

Respected and admired by musicians and a legion of dedicated fans, King's X may be the quintessential overlooked band.

Tackle the sounds, politics and narcotic indulgences of Al Jourgenson and crew on their 1992 album Psalm 69