Dig Me Out
Dig Me Out: 90s Rock
Idlewild - Hope is Important | 90s Rock Revisited
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Idlewild - Hope is Important | 90s Rock Revisited

Is This 1998 Indie Rock Debut a Lost Classic or a Stepping Stone?

Do you remember the thrill of discovering a band that felt like they were speaking directly to you? The kind of album that, even if it wasn’t perfect, felt like a secret handshake between you and the music? Maybe you stumbled onto Idlewild in a friend’s car, the opening notes of 100 Broken Windows crackling through worn-out speakers. Or maybe you picked up Hope Is Important on a whim, intrigued by the angular guitars and a vocalist who sounded like he was caught between a scream and a poem. Whatever your entry point, we all have those bands that made us feel like we were part of something bigger—a shared love that still sparks conversation years later.

But what makes Hope Is Important worth revisiting? After all, it’s not the album that defined Idlewild for most fans. It’s raw, sometimes unpolished. Is it even necessary?

Absolutely. Because in its chaos, you hear a band searching for itself—and that’s always compelling.

A Punk Rock Identity Crisis (Or Just Growing Pains?)

The album kicks off with “You've Lost Your Way,” and suddenly, you’re in a hardcore record you didn’t expect. Wait—Idlewild did this? Yes, and it’s jarring, especially if you came in expecting the refined indie-rock of their later albums. But hold on—give it a second. Soon, you start to hear the DNA of the band they’d become.

That push-and-pull between punk aggression and literary ambition is what makes Hope Is Important so fascinating. Vocalist Roddy Woomble oscillates between furious yelps and abstract, poetic musings, sometimes in the same song. Guitars shift from jangly to jagged, layered over a rhythm section that feels like it's barely holding everything together. It’s messy, chaotic, and a little all over the place—but in a way that’s thrilling rather than off-putting.

A Scottish Band with an American Sound? Believe It.

Wait, didn’t people compare them to R.E.M.? Sure—but there’s more to it than that. While you can hear early R.E.M. influences, their debut leans harder into American underground rock. There’s a clear admiration for the rawness of bands like Nirvana and Fugazi, but you also hear the wiry intensity of UK post-punk bleeding into the mix.

It’s not quite Britpop, not quite grunge, not quite punk—but some exhilarating hybrid of all three.

Roddy Woomble himself credits a stint living in the U.S. for shaping his musical influences, and you can hear that intersection on songs like “A Film for the Future” and “I’m Happy to Be Here Tonight,” where sharp indie-rock guitars tangle with unpredictable vocal phrasings. “Everyone Says You’re So Fragile” even flirts with pop-punk energy, though it’s clear that Idlewild was never going to sit comfortably in that genre.

So Close, Yet So Unpolished

So what’s the catch? If the energy is there, why doesn’t this album hit as hard as what came next?

Because while Hope Is Important is packed with flashes of brilliance, it’s not a fully realized vision. The band is still experimenting—how much of their punk roots should they keep? How much melody should they lean into? The result is an album that sometimes swings too far in one direction—tracks like “You’ve Lost Your Way” lean heavy into hardcore tropes, while others like “Safe and Sound” hint at the richer, more nuanced songwriting they’d master on later records.

But even in its rougher moments, the personality of Idlewild shines through. Woomble’s ability to take simple phrases and repeat them in slightly altered ways makes lines stick in your brain, much like The Promise Ring’s Davey von Bohlen did with emo at the time. And even when the songwriting doesn’t fully hit, the sheer energy and conviction behind every track keeps you engaged.

Should This Have Been an EP? Let’s Talk.

Should you listen to the whole thing? Maybe. But if you want the essence of Hope Is Important without the growing pains, trim it down to a six-song EP: “A Film for the Future,” “Paint Nothing,” “When I Argue I See Shapes,” “I’m Happy to Be Here Tonight,” “I’m a Message,” and “Safe and Sound.”

But we know you have your own take. Was this the album that got you into Idlewild? Do you think it holds up better than we’re giving it credit for?

Let’s keep the conversation going—head over to the latest episode of Dig Me Out, where we break down every track and dive into the album’s legacy. Join the discussion and let us know: is Hope Is Important still essential, or just an early sketch of something greater?


Want more deep dives into underrated albums and lost gems? Become a paid subscriber to support in-depth discussions on the albums that deserve another listen.


Songs in this Episode

  • Intro - Everyone's Says you're so Fragile

  • 19:58 - You've Lost Your Way

  • 25:54 - I'm Happy to be here Tonight

  • 30:27 - A Film for the Future

  • 34:34 - When I Argue I See Shapes

  • Outro - Paint Nothing




Discussion about this episode