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Neva Dinova - Canary
Canary is indeed Neva Dinova’s first album in 16 years, marking a significant return for the Omaha-based indie band. Known for their introspective, melancholic sound, this new release pushes into fresh sonic territory while retaining existential themes. Notably, the album includes a cover of Carlton And The Shoes’ “Never Let Go,” adding a reggae-tinged groove to their catalog—a new flavor for longtime fans.
Serj Tankian - Foundations EP
Serj Tankian’s Foundations EP brings his politically charged, eclectic sound back into the spotlight. It merges classical, electronic, and rock elements, a hallmark of Tankian’s genre-bending solo work. As always, his intense vocal delivery drives home the thought-provoking themes that fans of both his solo work and System of a Down will recognize .
Pig - Feast of Agony
Feast of Agony is Raymond Watts’ latest industrial rock offering under his Pig moniker. The album is packed with dark, provocative themes, anchored by grinding electronics and heavy industrial beats. Watts, a veteran of the genre, collaborates with icons from the industrial scene, delivering a brutal exploration of power and desire. Fans of Pig and KMFDM will find the familiar chaotic energy intact .
The Telescopes - Halo Moon
The Telescopes continue their sonic journey into hypnotic, genre-bending experimentation with Halo Moon. This album leans into lo-fi, raw production techniques, making it a perfect fit for fans who have followed the band from their shoegaze roots to more noise-driven, psychedelic sounds. It’s a dense, atmospheric record that rewards listeners who are willing to immerse themselves fully .
The Wolfgang Press - A 2nd Shape
After nearly 30 years of silence, The Wolfgang Press return with A 2nd Shape, revisiting the moody, avant-garde post-punk sensibilities they were known for in the 80s and 90s. This album captures the dark, surreal edge of their earlier work, offering fans a new collection that feels both nostalgic and forward-thinking .
Alan Sparhawk - White Roses, My God
Alan Sparhawk, of Low fame, brings his minimalist, emotionally intense style to White Roses, My God. The album was recorded quickly, over a single weekend, capturing the raw and unpolished beauty of his songwriting. It’s a deeply personal project that highlights Sparhawk’s ability to create powerful emotional connections with sparse arrangements.
John Davis - JINX
JINX was intended to be a Superdrag album but became a solo project after the band’s progress stalled. Collaborating with Stewart and Henry Pack, Davis crafted a raw, stripped-down rock record that blends elements of Hüsker Dü and Dinosaur Jr. with a more personal, vulnerable lyrical style. The album is a mix of light and dark, exploring themes of depression, love, and personal struggles, anchored by Davis’ distinctive guitar work.