In 1994 punk exploded into the mainstream with sing-along songs of boredom and anxiety thanks to the Diamond selling Dookie by Green Day

The Dwarves Are Young and Good Looking marks a high for the provocative punk band that knows how to craft one and two minutes pop-punk gems

Jawbreaker's 1995 album Dear You blended raw emotion with melodic punk, but polarized fans with polished production and a cleaner sound

Samiam evolved from Bay Area skate punks to emo-tinged pop-punks on 1997's fan-dividing You Are Freaking Me Out

Moving to a major label for their eighth album, Stranger Than Fiction, Bad Religion kept the lyrical fire but upped the production quality

Face To Face's 1999 stylistic shift from skate punk to alternative rock alienated some fans while others discovered a deep and layered gem

To kick-off our new roundtable series on the touring festivals of the 90s, we're going back to 1995 to revisit the start of the Warped Tour

We dive into the 90s phenomenon known as Pop Punk and discuss the distinct sounds, the bands, the albums, and legacy of this Punk offshoot

Whether you call them punk, post-punk, post-hardcore or emo, HWM forges a unique path on 1997′s Forever and Counting.

With American Psycho, the Misfits returned with a more metallic sound, but perhaps with too much of a good thing

Best known in the U.S. for their 2000 single "Roll On," Australia's The Living End combo of punk, rockabilly and ska brings energy and more.

Who's punk, what's the score? That's what we try to figure out on our roundtable talking punk rock in the 1990s

While Green Day, The Offspring and Rancid took punk to the mainstream in the 90s, the New Bomb Turks forged a louder, more aggressive path

In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Bricks and Blackouts by Gaunt.