In 1994 punk exploded into the mainstream with sing-along songs of boredom and anxiety thanks to the Diamond selling Dookie by Green Day

We take a special trip back to the '80s Nardcore scene with the 1984 compilation It Came From Slimey Valley

The lone, obscure full-length by The Brady Bunch Lawnmower Massacre is a rowdy, rollicking, and occasionally offensive cowpunk hidden gem

Samiam evolved from Bay Area skate punks to emo-tinged pop-punks on 1997's fan-dividing You Are Freaking Me Out

Moving to a major label for their eighth album, Stranger Than Fiction, Bad Religion kept the lyrical fire but upped the production quality

Punk rock legend Dave Smalley (All, Dag Nasty) discusses new music from Don't Sleep, his extensive Down By Law output in the ‘90s, and more

Face To Face's 1999 stylistic shift from skate punk to alternative rock alienated some fans while others discovered a deep and layered gem

On their fifth album and major-label debut Eyewitness, Shades Apart refined their sharp punk edges for radio-friendly power-pop-punk

On Born To Quit, the Smoking Popes combine old school rock 'n roll riffing with Ratpack crooning with impressive execution and confidence

We dive into the 90s phenomenon known as Pop Punk and discuss the distinct sounds, the bands, the albums, and legacy of this Punk offshoot

On their third and final record Wrecreation, Stanford Prison Experiment bring the post-punk riffs, but is it an album of album tracks?

Turbonegro were at the forefront of the late 90s Scandanvian underground rock movement, we check out their 1998 album Apocalypse Dudes

Whether you call them punk, post-punk, post-hardcore or emo, HWM forges a unique path on 1997′s Forever and Counting.

1997 might be remember as the year pop returned to US radio and MTV, but Radiohead, Foo Fighters and more released career defining albums

Who's punk, what's the score? That's what we try to figure out on our roundtable talking punk rock in the 1990s

While Green Day, The Offspring and Rancid took punk to the mainstream in the 90s, the New Bomb Turks forged a louder, more aggressive path

Borrowing from the Motown garage rock of the MCS, Stooges and Sonic Rendezvous Band, as well as stadium rockers like KISS and The Who.