Steven Jon Muczynski

After scoring a hit on their debut, Superdrag returned with a headier, more diverse and expansive sound on 1998's Head Trip In Every Key

Is there such a thing as progressive post-hardcore? If not, Into Another might have invented it on their ambitious 1994 album Ignaurus.

Layered vocal harmonies, sparse arrangements, and subtle genre-mixing entrance the listener on Ida's 2000 album Will You Find Me

Deftones combined hardcore, thrash, metal, and more in the 90s as they became one of the most interesting and ambitious bands of the 2000s

Is the Gin Blossoms' 1996 sophomore album Congratulations, I'm Sorry a worthy follow-up or an actual miserable experience?

We check out the 1995 debut album Red And Clear by Giants Chair and unexpectedly undercover a 90s Kansas City post-punk math rock scene

We're joined by DMO Union members to discuss new albums out in 2019 from Fastball, Beck, Big Wreck, Ride, Sebadoh, Redd Kross and more

On the 1999 album Blue, Third Eye Blind expanded their radio friendly sound, but did grander ambition lead result in a sophomore slump?

On their third and final record Wrecreation, Stanford Prison Experiment bring the post-punk riffs, but is it an album of album tracks?

Local H managed a rare twofer on their 1998 concept album Pack Up The Cats - songs that shine within and outside the context of the concept

On the follow-up to their teenage debut, Silverchair fattened the sound but not the sales, we try to figure out what happened.

We're joined by a variety of guests to review new releases by Nada Surf, The Cult, Weezer, Bob Mould, Radiohead, Face to Face and more